Sara Fusco, editor
Sara got her start as an editor and creator of short documentaries and non profit videos covering refugee crises in the Middle East, the independence of South Sudan, earthquake recovery efforts in Nepal, and innovation in Uganda. Her short documentary MAKAPADS was a semi-finalist in GE's Focus Forward Filmmaker Competition, and her work on The Messy Truth original web series with Van Jones was the winner of a 2017 Webby Award. Sara worked as an assistant editor on MHP's feature documentary film, City of Trees, as a second editor on the film FLY BY LIGHT, and assistant editor on NAILA AND THE UPRISING. When she is not in the edit room, Sara has worked as a mentor and technical advisor in youth media and teacher training classes in New York City and Washington, DC, and she spends most of her free time on the Brazilian Jiu Jitsu mats. Sara has a master’s in Media Studies from The New School in New York City.
Peggy Aw, assistant editor
Peggy started her pursuit of non-fiction storytelling with her short documentary, Goodbye Burma (2011), created in partnership with the Tribeca Film Institute, the short was inspired by her families' journey escaping a militaristic Burma and establishing a new life in the United States. Since then, she has focused on a career in non-fiction post-production, highlighting social justice issues such as inequalities in the education system and socio-economic disparities. She was the assistant editor of Class of '27 (2016), which was honored with an Alfred I. du Pont Columbia Journalism Award and aired nationally on America Reframed as well as an associate editor on inVisible currently in production. Apart from documentary films, Peggy has additionally edited non-fiction educational shorts for museums and non-profits across the country, such as the National World War II Museum, The Mob Museum, and the Lincoln Institute of Land Policy. Peggy holds a bachelor's degree in media production with a minor in art history from Emerson College.
Will Jenkins, associate producer
Will Jenkins has more than a decade of communications, policy, and program leadership experience at the White House, the Department of Health and Human Services, the House and Senate, and international nonprofit organizations. During his time in government, he worked on a wide range of issues, including criminal justice reform, drug policy, mental health, immigration, environment, healthcare, national security and education. He also has trained, advised or worked with hundreds of filmmakers and other media makers on stories that impact public policy and social issues through the Sundance Institute, South by Southwest Festival, Tribeca Film Institute, Warner Bros., the Fledgling Fund, Good Pitch, and other organizations. He developed the American Film Institute's Political Bootcamp for Filmmakers and co-authored a series of studies on creative media and advocacy at the Center for Media and Social Impact. He serves as a board member of Working Films.
Ellie Walton, director/editor, cinematographer
Gabriella Jones, post-production intern
Gabriella Jones is a recent graduate of the University of Maryland, where she studied Chinese and Communication. Throughout her high school and collegiate careers, she participated in the filming and production of many independent projects that highlighted topics ranging from Black men in America and Black women empowerment. She enjoys the combination of storytelling and social justice and hopes to continue working on projects that genuinely impact and inspire people and their communities.
Nathaniel Pearlman, advisory board
Angelica Das, advisory board
Joshua Glick, PhD, advisory board
Joshua Glick is the Isabelle Peregrin Assistant Professor in English, Film, and Media Studies at Hendrix College and a Fellow at the Open Documentary Lab at MIT. He holds a PhD in Film & Media Studies and American Studies from Yale University. Dr. Glick’s research and teaching explore global documentary, emerging media, race and representation, and the comparative histories of cinema, TV, and radio. Dr. Glick served as the digital media curator and produced the award-winning documentary This Side of Dreamland (2016) for the traveling museum exhibition, Coney Island: Visions of an American Dreamland, 1861–2008. His book, Los Angeles Documentary and the Production of Public History was recently published by the University of California Press and was selected as a finalist for the Richard Wall Memorial Award Glick. He is currently researching a new book on contemporary documentary and the media industries and co-editing a volume with Patricia Aufderheide that brings together scholars and practitioners. A native of the Washington DC metro area, he enjoys staying active in the documentary scene and collaborating with local institutions.